Most Viewed

- Browns And The Cold Semi-neutral Grays Marrone Is Practically To
- Also Called Scarlet Chrome Is A Bright Chromate Of Lead Of An
- Black Chalk
- Composition Chemical Analysis Has Shown Several Of The Blues To Be
- Burnt Verdigris
- Belong The Dutch And Flemish Schools; The Sensible Which Aims At
- Less Known As English Red Prussian Red And Scarlet Ochre True
- Olive In Dark Green; Russet And Citrine In Dark Orange The
- Known Likewise As Raw Sienna Earth Terra Di Sienna &c Is A
- Root Of The Anchusa Tinctoria Commonly Known As Alkanet A Plant

Least Viewed

- Distilled Verdigris Or More Properly Refined Verdigris The Best Is
- Sometimes Called China Or Chinese Ink Is Chiefly Brought From
- Egypt The Greeks Obtained The Knowledge Of Their Ars Chromatica
- While We Avoid The Compounding Of Contrasting Colours That Is The
- Only That Of Extreme Light Objects Opaque It Follows That White Is To
- Secondary Colours Are Three Only Orange Green And Purple
- Have To Be Learnt For Each Pigment Has Its Own Peculiar Habitudes
- These Are False Appellations Of A White Lead Called Also French
- Of These There Are Three Tints Deep A So-called Pale And Lemon
- Sometimes Designated Drop Gum And Variously Written Gamboge

Compounded And Be As A Mixture Semi-stable Or Fugitive

It need hardly be observed that the number of permanent orange, green,
and purple hues which the artist can compound, depends mainly on the
number of permanent yellows, reds, and blues at his disposal. In mixed
orange, therefore, a selection of durable yellows and reds is of the
first importance. It should, however, be remarked that mixed orange,
more sober and less decided, is obtainable by the use of citrine and
russet; in the former of which yellow predominates, and in the latter,
red: consequently orange results when yellow is added to russet, red to
citrine, or citrine to russet.

PERMANENT YELLOWS. PERMANENT REDS.

Aureolin. Cadmium Red.
Cadmium, deep. Liquid Rubiate.
Cadmium, pale. Madder Carmine.
Lemon Yellow. Rose Madder.
Mars Yellow. Mars Red.
Naples Yellow, modern. Ochres.
Ochres. Vermilions.
Orient Yellow.
Raw Sienna.

None of these pigments react on each other, and from them can be
produced the most durable mixed orange that yellow and red will afford.

TTITLE NEUTRAL ORANGE,





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