|There was once a king of Prussia whose name was Frederick William. On a fine morning in June he went out alone to walk in the green woods. He was tired of the noise of the city, and he was glad to get away from it. So, as he walked among... Read more of THE KINGDOMS at Stories Poetry.com|| Informational|
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Most Viewed- Browns And The Cold Semi-neutral Grays Marrone Is Practically To
- Black Chalk
- Burnt Verdigris
- Belong The Dutch And Flemish Schools; The Sensible Which Aims At
- Also Called Scarlet Chrome Is A Bright Chromate Of Lead Of An
- Composition Chemical Analysis Has Shown Several Of The Blues To Be
- Less Known As English Red Prussian Red And Scarlet Ochre True
- Known Likewise As Raw Sienna Earth Terra Di Sienna &c Is A
- Root Of The Anchusa Tinctoria Commonly Known As Alkanet A Plant
- Olive In Dark Green; Russet And Citrine In Dark Orange The
Least Viewed- Pigment The [greek: Kinnabari] Of The Greeks And The Minium--a Term
- Rubiate Or Liquid Madder Lake
- Mountains Of Kernhausen Whence It Is Sometimes Called Hungary Green
- Or Green Earth Is A Sober Bluish Green With A Grey Cast It Is A
- With It May Be Coupled Cadmium Orange A Colour Equally Brilliant And
- Texture And What Is Called Body In Colours; Yet Every Pigment Has Its
- The Grinding Sufficient Only Of Clear Cold Jelly Of Gum Tragacanth As
- Opacity Is A Fine Tone; But It Must Be Remembered That Transparency
- Time On A Tree Of The Common Black Spruce (abies Nigra) In The
- Compound In Infinite Shades All Of Which Are Neutral Also Or Grey
Compounded And Be As A Mixture Semi-stable Or Fugitive
It need hardly be observed that the number of permanent orange, green,
and purple hues which the artist can compound, depends mainly on the
number of permanent yellows, reds, and blues at his disposal. In mixed
orange, therefore, a selection of durable yellows and reds is of the
first importance. It should, however, be remarked that mixed orange,
more sober and less decided, is obtainable by the use of citrine and
russet; in the former of which yellow predominates, and in the latter,
red: consequently orange results when yellow is added to russet, red to
citrine, or citrine to russet.
PERMANENT YELLOWS. PERMANENT REDS.
Aureolin. Cadmium Red.
Cadmium, deep. Liquid Rubiate.
Cadmium, pale. Madder Carmine.
Lemon Yellow. Rose Madder.
Mars Yellow. Mars Red.
Naples Yellow, modern. Ochres.
None of these pigments react on each other, and from them can be
produced the most durable mixed orange that yellow and red will afford.
TTITLE NEUTRAL ORANGE,
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