Molybdenum Green
: ON THE SECONDARY, GREEN.A clear malachite green colour, when dried, is produced from molybdate
of soda and potash-chrome-alum, or from the molybdate and alum with
ammonia. Being more expensive than the chrome oxides and not better, its
introduction, for use by artists, would be attended with no advantage.
There is likewise obtainable a copper molybdate, by adding neutral
molybdate of soda in excess to sulphate of copper. The precipitate is a
very pale green colour, flocculent at first, but crystalline after
washing. Like the chrome molybdate it would be superfluous as a pigment.
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Iron Yellow
Or oxalate of protoxide of iron, has very unadvisedly been recommended as a pigment. It is a bright pale yellow, but soon loses the beauty of its tint when submitted to air and light, becoming, by peroxidation, red and buffy. Even in a book the colo... Kermes Lake
Is an ancient pigment, perhaps the earliest of the European lakes, and ... Laque Minerale
is a French pigment, a species of chromic orange, similar to the orange chromate of lead. This name is likewise given to orange oxide of iron. ... Lawson's Red
In 1861 it was stated that Professor Lawson had prepared a new dye of great richness, in the laboratory of Queen's College, Canada, from an insect, a species of coccus, found the previous summer for the first ... Madder Marrone
or Marrone Lake, was a preparation of madder, of great depth, transparency, and stability. Working well in water, glazing and drying in oil, and in every respect a good pigment, it was one of those colours which gradually--and often, as in this case... Madder Orange
or Orange Lake. It has been said that the yellows so-called produced from madder are not remarkable for stability, differing therein from the reds, purples, russets, and browns. Like them, this 'orange' is of doubtful colour and permanence, and not ... Madder Yellow
As our (the Editor's) experience of this product is somewhat at variance with that of the author, we subjoin his original statement. "Madder yellow is a preparation from the madder-root. The best is of a bright colour, resembling Indian yellow, but ... Manganese Black
the common black oxide of that metal, is the best of all blacks for drying in oil without addition. It is also a colour of vast body and tingeing power. As a siccative, it might be advantageously employed with ivory black. ... Manganese Blue
An aqueous solution of permanganate of potash yields with baryta-water a violet mixture, which afterwards becomes colourless, and deposits a blue precipitate. This retains its colour after washing and drying, but cannot be recommended as a pigment, ... Manganese Brown
is an oxide of manganese, which is quite durable both in water and oil, and dries admirably in the latter. A fine, deep, semi-opaque brown of good body, it is deficient in transparency, but might be useful for glazing or lowering the tone of white w... Manganese Green
or Cassel Green. By several methods, manganate of baryta may be obtained either as an emerald-green, a bluish-green, or a pale green. The manganates, however, are decomposed by contact with organic matter; and hence the green would be liable to suff... Manganese Red
Bisulphide of arsenic combines with basic metallic sulphides forming a class of sulphur-salts, called by Berzelius, hyposulpharsenites. The hyposulpharsenite of manganese is a dark red precipitate, uninjured by sulphuretted hydrogen, and so far appl... Mars Marrone
Under the heading of a New Marrone Pigment there appeared some months back in a chemical journal the following:--"The blood-red compound obtained by adding a soluble sulphocyanide to a salt of iron in solution can be made (apparently at least) to co... Massicot
... Mineral Black
is a native impure carbon of soft texture, found in Devonshire. Blacker than plumbago, and free from its metallic lustre, it is of a neutral colour, greyer and more opaque than ivory black, and forms pure neutral tints. Being perfectly durable, and ... Mineral Green
... Molybdenum Green
A clear malachite green colour, when dried, is produced from molybdate of soda and potash-chrome-alum, or from the molybdate and alum with ammonia. Being more expensive than the chrome oxides and not better, its introduction, for use by artists, wou... Murexide
The red obtained from this substance created a great deal of interest among printers and dyers on its introduction in 1857, or thereabouts. For purity and brilliancy of shade it was not excelled by any other colour, but not being able to stand the e... Nickel Brown
A very pleasing yellowish brown is obtainable from nickel, bright and clear in its pale washes, and of some richness in oil. Unless thoroughly washed, it has a tendency to greenness in time. ... Ochre Browns
The slight affinity of sulphur for yellow ochre, with its merely temporary effect thereon, was observed in the eighth chapter, where allusion was made to the action of sulphuretted hydrogen and sulphide of ammonium on the earth. Sulphur alone, and i... Olive Oxide Of Chromium
An olive oxide of this metal is obtainable, transparent, of strict stability, and altogether superior to any original or compound olive pigment as yet known. Eligible either in water or oil, it is admirably adapted for autumn foliage, where a quiet,... Olive Rinman's Green
A compound analogous to cobalt green may be made, of an olive hue, with more body, and equally stable. ... Olive Scheele's Green
Cupric arsenite, when heated, gives off arsenious acid and water, leaving a residue of arsenide of copper and copper arseniate. A series of olive colours is so afforded, which are as durable as their original pigment, and might with advantage be sub... Olive Schweinfurt Green
is likewise furnished by gentle calcination. It may be directly prepared by mixing boiling aqueous solutions of equal parts of crystallised verdigris and arsenious acid. An olive-green precipitate is immediately formed, which is apt, without due pre... Olive Terre Verte
We have obtained a very beautiful olive from terre verte by simply changing its hue. In oil, especially, the colour so produced would be found of service for autumn foliage, or richly painted foregrounds. A simple original pigment, consisting wholly... Orange Lead
of a dull orange colour, is an orange protoxide of lead or massicot. Like litharge, it may be employed in the preparation of drying oils, and, being a better drier than white lead, may be substituted for it in mixing with pigments which need a sicca... Orange Orpiment
or Realgar, has also been called Red Orpiment, improperly, since it is a brilliant orange, inclining to yellow. There are two kinds, a native ... Paille De Mil
Or African Cochineal, is a substance obtained from Africa. Whether it has received its name of cochineal from its appearance or origin is not clear, but it behaves more like galls and sumac than cochineal, though it does give a kind of red with alum... Paper Black
a pigment unknown to the modern palette, like most of our numbered italicised colours, is of the nature of blue or vine black. Very soft and of a fine bluish-gray, it is fitted for flesh, or for mixing with whites or yellows in landscapes. ... Patent Yellow
... Peach Black
or Almond Black, made by burning the stones of fruits, the shell of the cocoa-nut, &c., is a violet-black, once much used by Parisian artists. Bouvier believes it to be a good black, but at the same time sensibly asks, of what use is it to have a bl... Peganum Harmala
The seeds of which afford a red colour, has been investigated by the French, but described as inferior to existing reds both in brilliancy and stability. ...