| Make sure it is night when you do this spell. Also, light one orange and one pink candle. Close your eyes. (You Must Have complete focus and be concentrating on the spell, ONLY.) Fill your mind with the color your eyes are. Picture that for abo... Read more of Spell to change eye color at White Magic.ca | InformationalPrivacy |
![]() |
|
| Home - Chromatography - Color Value - Aesthetics - Photography | |
Most Viewed- The Aniline Process- The Primuline Or Diazotype Process - The Cuprotype Burnett's Process - A Poitevin's Process 1870 - The Cyanofer Pellet's Process - The Cyanotype Or Blue Process - The Uranotype - Graphotypy - Dr Tl Phipson's Process 1861 - Choice Of Paper Sizing Least Viewed- Causes Of Failures- Preparation Of Red Yellow Or Blue Tissues - X's Process 1865 Secrets Of The Uranotype - Tracing Process On Metal - Houdoy's Process 1858 - Godefroy's Process 1858 - Printing On Wood Canvas Opal And Transparencies - How To Make A Negative Drawing - Guarbassi's Process 1867 - Cj Burnett's Process 1857 |
Dr Jb Obernetter's Process 1863Copper chloride 100 parts Ferric chloride, sol. sp. 13 parts gr. 1.5 Hydrochloric acid, conc. 12 parts C. P. Water 1,000 parts Float the paper on this solution for about two minutes and hang it up to dry. The keeping quality of the prepared paper is remarkable; it has been kept for two years without apparent change; its sensitiveness is at least one-third greater than that of silver albumen paper. Unless developed within an hour or two, the vigor of the proof is much impaired; after twenty-four hours a print can be taken over on the same. When exposed, only a faint image is visible. It should be fixed in the following solution: Potassium sulphocyanate 12 parts Sulphuric acid, conc. 1 part Sensitizing solution 10 to 12 parts Water 1,000 parts A print is floated on this solution, face downward, for three or four minutes, taking care to agitate the liquid as little as possible; the print is afterwards immersed and another one floated in its place, thus proceeding until all the prints are immersed or the solution can hold no more. A fresh solution is then added to strengthen it: the older the solution the more rapidly and better it works. In this developer copper cyanide is precipitated on the parts acted on by light, and this exactly in the proportion to the luminous action. The time of immersion depends on the method selected to finish the proofs; it its from five minutes to half an hour. If the proof is immersed for, say, twenty-four hours, the image comes out in a relief which may bring the shadows to two lines in depth. When well developed and thoroughly washed, the proof can be dried and the subsequent operations made at any convenient time. Various processes may be employed to give to these proofs the tone required; thus: the prints well washed are placed in a solution of ferricyanate of potassium at 6 to 12 per 100 of water, where they take a red color increasing in intensity. If left over night the color becomes a splendid velvet deep red with perfect clear whites. To obtain the color of silver photographs one hour's immersion is sufficient. After this operation the proofs are washed until the water is no more tinged yellow. By immersion in Ferrous sulphate 100 parts Iron sesquichloride 40 parts Hydrochloric acid 80 parts Water 200 to 300 parts the proofs undergo the following gradation of colors: red, reddish violet, blue-violet, black and greenish black. As soon as the desired color is obtained, the proofs are washed in acidified water and dried. The most beautiful purple violet is obtained by leaving the proofs in the iron solution until green-black, and then washing for a moment in a dilute solution of sub-acetate of lead. A brown-black may be produced by treatment, after washing, with an ammoniacal solution of hypermanganate of potash. A weak solution of nitrate of silver also yields very fine pictures, but the exposure should be very short, and the proofs must be fixed in water containing a small quantity of oxalate of ammonia. In order to impart to the proofs the gloss of silver photographs, they should be albumenized in the ordinary manner, and the albumen insolubilized by well known means. The chemical actions in this process I explain in the following manner: On the paper there are Fe2Cl3 and CuCl, the latter in excess. By the action of light, and according to the transparency of the negative, Fe2Cl3 is reduced to FeCl, while CuCl suffers no alteration. If the paper be immediately placed in an absolutely dry room after exposure, the picture remains unchanged. In a moist atmosphere FeCl attracts moisture and, with a part of CuCl, is so decomposed that Fe2Cl3 is formed together with Cu2Cl. After this action has commenced, if the proof be not immediately immersed in a solution of sulphocyanate of potassium, Cu2Cl passes over to a higher combination of chlorine, and the paper is again fit to be impressed anew by the action of light. As long as FeCl or even Cu2Cl is present, if the print is immersed in the sulphocyanate solution, sulphocyanate of copper is immediately formed on the reduced parts, while on the others the sulphocyanide of copper, formed and dissolved by the sulphocyanide of potassium in excess, becomes decom- posed with water in soluble sulphocyanide of copper and deposited as such on the parts already covered with the salt. Frequently the prints appear yellow from formation of the double sulphocyanide of copper, but the color disappears by washing in water. Red coloration is due to decomposition into ferrocyanide of copper. Next: L Liesegang's Process 1865 Previous: Dr Tl Phipson's Process 1861
Viewed 448 |
||||||||||||||||||||