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Most Viewed- Browns And The Cold Semi-neutral Grays Marrone Is Practically To
- Black Chalk
- Also Called Scarlet Chrome Is A Bright Chromate Of Lead Of An
- Burnt Verdigris
- Belong The Dutch And Flemish Schools; The Sensible Which Aims At
- Composition Chemical Analysis Has Shown Several Of The Blues To Be
- Less Known As English Red Prussian Red And Scarlet Ochre True
- Olive In Dark Green; Russet And Citrine In Dark Orange The
- Known Likewise As Raw Sienna Earth Terra Di Sienna &c Is A
- Root Of The Anchusa Tinctoria Commonly Known As Alkanet A Plant
Least Viewed- Pitch And [greek: Kallos] Ornament The Blue Is Named Pittacal
- Otherwise Called Berlin Blue Paris Blue Prussiate Of Iron
- Besides The Preceding There Is A Basic Prussian Blue Formed By
- Variety Of This Pigment Known As Native Prussian Blue; Which Is
- Blackened The Cobalt Blue Greened The Genuine Ultramarine Remained
- Native Ultramarine Natural Ultramarine Real Ultramarine True
- In All The Variety Of Its Hues Composed Of Yellow And Red A True Or
- With Green It Forms The Tertiary Citrine And With Purple The Tertiary
- Peculiar Red Mineral Orange
- Constitutes In Like Manner The Tertiary Russet Of The Three Secondary
Called Green In Landscape And Invisible Green In Mechanic Painting
It is to be noted that in producing these and other compound colours on
the palette or canvass, those mixtures will most conduce to the harmony
of the performance which are formed of pigments otherwise generally
employed in the picture. Thus, presuming aureolin to be the principal
yellow used, the same yellow should be chosen for compounding orange and
green, or for obtaining indirectly citrine, russet, and olive.
PERMANENT GREEN. PERMANENT PURPLE.
Oxide of Chromium, opaque. Mars Violet, true.
Oxide of Chromium, transparent. Purple Madder.
As in the case of russet, there may be added to the two original
purples, mixtures composed of durable reds and blues. There are so many
ways of producing the tertiaries, that no difficulty can be found in
compounding them with stable pigments. Each tertiary may be represented
CITRINE = Orange + Green.
" = (Yellow + Red) + (Yellow + Blue.)
" = 2 Yellow + Red + Blue.
RUSSET = Orange + Purple.
" = (Yellow + Red) + (Red + Blue.)
" = 2 Red + Yellow + Blue.
OLIVE = Green + Purple.
" = (Yellow + Blue) + (Red + Blue.)
" = 2 Blue + Yellow + Red.
From the above equations, and by consulting the lists given of permanent
primary and secondary colours, the artist will at once see how easily
and safely he may vary his mode of compounding the tertiaries.
TTITLE OLIVE GREEN,
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